Phantasma - image of women in media and film. Feminist Perspectives
Abstract. tim walker book In this paper, I try to analyze the relations between feminism and film and media studies by using a three-fold model. All three Aspects are consonant tim walker book with different tim walker book perspectives on communication. The first phase or aspect is dealing with negative representations of women in media and film, the second one Tries to overpass These negative representations by appealing to a more sophisticated reception theory, Whereas the third one is the Reconfiguration tim walker book of the first phase, in order to Fulfill the Aspirations of Political and ideological proponents. The Theoretical analysis is completed with year Applied discussion of three particular films.
Feminist Perspectives on media and film theory are of recent date (after WWII). To analyze the relationship between feminism and media studies and film propose a model that comprises three stages. These "steps" are not necessarily successful, being able co-exist in different degrees in the various analyzes undertaken on this topic. They give the appearance of a temporality of diachrony, however, often still practiced simultaneously by different authors / author.
January. A first phase aims denouncing negative representations of women in patriarchal capitalist society. This stage has a lot to say about how it is constructed ideological text to devalue women, but considers tim walker book the reception of these texts as a mechanical. At the same time, this step is integral with a model "hypodermic" communication.
February. tim walker book The second stage starts from analyzing just the text reception, most often socio-anthropological means to demonstrate the possibility of different readings even opposed to such representations of women. This preference goes to a sophisticated communication model of the type "encoding / decoding" by Stuart Hall, in which both achievement and deciphering his message are as far from being monolithic and admit several interpretations.
Three. Finally, somewhat paradoxically, many authors admit the second version / stage a return to the first roundabout tim walker book way, the denunciation of oppression and under-representation of women, this time for reasons police said. Thus, they argue that in order to ensure unity and a coherent feminist political project, it is necessary to give in some cases looking for parallel interpretation that would reduce the feminist approach to a simple particularistic vision. In this latest version, effective communication is abandoned in favor of political tim walker book efficacy.
January. Referring to the typical tim walker book images of female representation, Susanne Kappeler even get to denounce the "pornography of representation" [2]. It shows that pornography has been misunderstood as a borderline case of sexuality (in which case the emphasis is on "porn", or general content), tim walker book especially when it is a form of representation (with emphasis on "script tim walker book "on the form). In other words, the context has to be considered pornography is sexuality, but also the forms of representation.
Susanne Kapeller argues that its position strangeness comes from "naturalization" forms of representation (especially by the media and its conventions, but also in literature and the visual arts) that realism has shown that having a simple function of "Reflection" (mirror style) tim walker book of "reality". This kind of media representations tim walker book portray as "present" simply a "reality" independent and autonomous glosses "producers" as support material representation. tim walker book However, a feminist critique of representation must take into account those who produce these representations, goals and their means, and the context in which they are produced - context that is always political, cultural and economic [3].
Stratford Teresa insists precisely on the context in which discrimination occurs most in the press, and that is a political and economic tim walker book opinion. Thus, it shows that the major newspapers in the UK are run by editors and executives men, which explains in his opinion the difficulty of bringing to the fore women's issues (which in many cases are resolved by setting up a newspaper supplement [4 ] or dedicated exclusively to women's issues - health, divorce, child care, adoption - as if these issues would only affect half the population). Economic reasons seem to affect particularly the case "page three" of known publications London Sun and Daily Mirror. They expose on page three pictures of very young girls, more naked, with interviews with these girls. Both these pictures, as well as any news of scandal (especially those on scan
Abstract. tim walker book In this paper, I try to analyze the relations between feminism and film and media studies by using a three-fold model. All three Aspects are consonant tim walker book with different tim walker book perspectives on communication. The first phase or aspect is dealing with negative representations of women in media and film, the second one Tries to overpass These negative representations by appealing to a more sophisticated reception theory, Whereas the third one is the Reconfiguration tim walker book of the first phase, in order to Fulfill the Aspirations of Political and ideological proponents. The Theoretical analysis is completed with year Applied discussion of three particular films.
Feminist Perspectives on media and film theory are of recent date (after WWII). To analyze the relationship between feminism and media studies and film propose a model that comprises three stages. These "steps" are not necessarily successful, being able co-exist in different degrees in the various analyzes undertaken on this topic. They give the appearance of a temporality of diachrony, however, often still practiced simultaneously by different authors / author.
January. A first phase aims denouncing negative representations of women in patriarchal capitalist society. This stage has a lot to say about how it is constructed ideological text to devalue women, but considers tim walker book the reception of these texts as a mechanical. At the same time, this step is integral with a model "hypodermic" communication.
February. tim walker book The second stage starts from analyzing just the text reception, most often socio-anthropological means to demonstrate the possibility of different readings even opposed to such representations of women. This preference goes to a sophisticated communication model of the type "encoding / decoding" by Stuart Hall, in which both achievement and deciphering his message are as far from being monolithic and admit several interpretations.
Three. Finally, somewhat paradoxically, many authors admit the second version / stage a return to the first roundabout tim walker book way, the denunciation of oppression and under-representation of women, this time for reasons police said. Thus, they argue that in order to ensure unity and a coherent feminist political project, it is necessary to give in some cases looking for parallel interpretation that would reduce the feminist approach to a simple particularistic vision. In this latest version, effective communication is abandoned in favor of political tim walker book efficacy.
January. Referring to the typical tim walker book images of female representation, Susanne Kappeler even get to denounce the "pornography of representation" [2]. It shows that pornography has been misunderstood as a borderline case of sexuality (in which case the emphasis is on "porn", or general content), tim walker book especially when it is a form of representation (with emphasis on "script tim walker book "on the form). In other words, the context has to be considered pornography is sexuality, but also the forms of representation.
Susanne Kapeller argues that its position strangeness comes from "naturalization" forms of representation (especially by the media and its conventions, but also in literature and the visual arts) that realism has shown that having a simple function of "Reflection" (mirror style) tim walker book of "reality". This kind of media representations tim walker book portray as "present" simply a "reality" independent and autonomous glosses "producers" as support material representation. tim walker book However, a feminist critique of representation must take into account those who produce these representations, goals and their means, and the context in which they are produced - context that is always political, cultural and economic [3].
Stratford Teresa insists precisely on the context in which discrimination occurs most in the press, and that is a political and economic tim walker book opinion. Thus, it shows that the major newspapers in the UK are run by editors and executives men, which explains in his opinion the difficulty of bringing to the fore women's issues (which in many cases are resolved by setting up a newspaper supplement [4 ] or dedicated exclusively to women's issues - health, divorce, child care, adoption - as if these issues would only affect half the population). Economic reasons seem to affect particularly the case "page three" of known publications London Sun and Daily Mirror. They expose on page three pictures of very young girls, more naked, with interviews with these girls. Both these pictures, as well as any news of scandal (especially those on scan
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