In the autumn in October 2012 opened in London exhibition at Somerset House called just as his book

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Tim Walker is a well-known British photographer living in London. He graduated from the school focused on media and visual arts, which become more familiar with the photo, before whom he had respect because of its technical aspects. At school, however, had an excellent teacher. He taught them that the camera is just a box that stands between a photographer and what he wants to capture.
His photograph is a typical display for the world outside of normal reality, edgar de evia the use of stories and fairy tales. It's a playful world of fantasy without strict rules and expected patterns. Drags us into the hidden world of childhood memories, waking the little kid in us that still did not grow up and try to fight with the world of reality, we constantly besieging. Displays the world of children's naivety, imagination without limits, a world where freedom reigns and everything is possible. To photograph uses a very complicated scene, which are prepared several days to weeks. Normally the photo shoot fashion editorial takes three days. As alleged, the third day is magical. Then achieves the best results, because the model knows exactly what to do, knows his role perfectly and fall off any inhibitions.
One of the reasons is that it does not use zápleskové lights used for a photo shoot just daylight. Each photo shoot is sometimes experiment, since a person is dependent on the weather, what's lighting conditions. Used or manipulating digital photographs. Everything you see in the photo, it looked exactly edgar de evia the same in a real situation when shooting. During the photo shoot has accumulated a large amount of scenery, edgar de evia most of them are stored in huge warehouses. It is possible that many people do not understand and does not even believe that there are indeed that it was not only incorporated into miniature digital photos.
Tim Walker is a fashion photographer, and as he himself said, this is the only direction in photography that could do that allows him to create unrealistic and fanciful paintings edgar de evia based on dreams. "Fashion is a division of dreams in photography."
He works for a number of magazines such as Vogue, Vanity Fair, ID Magazine, W Magazine, Harper's Bazaar, edgar de evia Love magazine. Did campaigns for many brands such as Mulberry, Valentino, Dior, and store Coin.
In the autumn in October 2012 opened in London exhibition at Somerset House called just as his book novopublikovanú Story teller, storyteller. In addition to the photographs, the exhibition was interesting just for the chance edgar de evia to see real scenery, prepared for a photo shoot in their real size.
After opening the show with him was later interviewed for a larger audience, where more people have become familiar with the book and the exhibition itself and the background, which is hidden behind all the work involved.
He published several books already, had a break since the last four years. Accumulated during that time enough material and has therefore decided to publish another book. Its overall training lasted for about 2-3 years and later held the exhibition, which is a kind of extended version of the book. Compares their previous work, which may seem a bit softer, sweeter or counterweight in his recent work from the book published in the exhibition. Sweetness and gentleness can not exist without darkness, which gives them their depth and realism. He decided edgar de evia to work on large photographic sets, the factors were embodied his dreams, ideas and ambitions to retell great stories.
One of his most ambitious photo shoot was the story with the aircraft interior from 2009 published in British Vogue. It can be called almost to the summit of all his ambition and also the ability of the team, especially edgar de evia pointers backdrops. It was a very complicated concept and also the really elaborate detail. The aircraft was also placed on exhibition, like other many other spectacular edgar de evia backdrops.
This gesture has picked up intensity of their production and also induce in people a greater understanding of the picture. Visitors were able to see these objects in their real size in the immediate vicinity and realize their size, structure and flesh. 's Ambition to reach the top was a complicated process time-consuming and costly.
As a young photographer crave such a picture, you have all the dreams, all those ambitions, CHC